Carlos Vega Channels Latticed Lead

Carlos Vega uses large-scale lead plates, stamps, oil paint and collage in new works that reference the traditional latticed screens of his native Melilla, a Spanish city in North Africa.  His solo exhibition Tearing & Lifting is on now at Jack Shainman Gallery in New York.  (Above: Not Loud Enough, 2012, stamps and oil paint on lead, 60 x 48″)

I Thought of That, 2012, stamps and oil paint on lead, 91 x 60″

The architectural elements, made from ornamental patterns, function as windows in homes and convents, keeping interiors private but allowing a vista to the outdoors.   Vega transforms large-scale malleable lead plates through engraving and deep cuts, producing geometric designs that play with ideas of seeing and being seen.

Vega’s new work also includes figuration,  in Don’t Tell Me You Can’t  (above:  2012, stamps and oil paint on lead, 83 x 60″).  It depicts a man bearing the weight of a massive donkey, disguised as a deer, with antlers encrusted by images of political, national and social leaders.  Vega uses this image to forward his egalitarian view in which any individual can make a significant contribution to their generation.

 -Opportunity Waits, 2012, oil pastel and oil paint on lead, 69 x 57″

Carlos Vega was born in Melilla, Spain and lives and works in New York.

Gallery website, here.

Images courtesy Jack Shainman gallery

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There are 12 comments

  1. Cro-Magnolia

    I wasn’t sure at first what I thought of “Don’t Tell Me You Can’t” but they’re all incredible. I especially like the tree. It reminds of a sculpture that used to be in a little gallery in the mountains. His message, his concepts, are interesting.

    Like

    1. boomerontario

      I still don’t know what I think of Don’t tell me . . . . but like you, I think he’s both interesting and insanely talented. Your thought about the little gallery in the mountains reminds me that just about all the art I find and like is connected back to something else, and it delights me to make these realizations as I go. Thank you for taking the time to browse, to comment and also to follow.

      Like

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